Echo Park & Silver Lake get a gang injunction

Posted by admin | Echo Park | Thursday 8 January 2009 1:17 am

A Los Angeles judge on Tuesday approved a preliminary gang injunction against the Temple Street gang, which claims the southern edge of Silver Lake and Echo Park. Nearly 40 gang injunctions, which restrict the activities of gang members, have been used to in other parts of the city. This is the first gang injunction to cover Echo Park and Silver Lake. The Temple Street injunction names more than 250 members, which KCBS reports are subject to a 10 p.m. to 5 a.m. curfew and other restrictions within in a one-square-mile area:

Settlement Reached in Echo Park 9A Case

Posted by admin | Echo Park | Monday 5 January 2009 3:02 am

Citing the Echo Park Historical Society e-newsletter, Echo Park blogger Jenny Burman says that the long battle over site 9A is over. Well, at least the part about the Los Angeles Unified School District (LAUSD)’s right to raze homes off Alvarado. As you will recall, the LAUSD has fighting to put in a school (residents were ordered to leave their homes) at a site off Alvarado in Echo Park. The Right Site Coalition had been fighting the group, but can no longer afford to keep their legal battle going. Writes Burman: “The District now will be allowed to raze the houses it seized. But it’s uncertain whether it can build a school in the same location.” More via the e-newsletter: “A judge has approved a settlement over the school district’s plans to demolish more than two blocks of homes and commercial buildings near Alvarado Street and Sunset Boulevard. Despite a string of victories by the Right Site Coalition, which included the EPHS [Echo Park Historical Society], against the Site 9A proposal, the opponents could not raise enough money to continue the legal challenge. As a result, the school district will be allowed to go ahead with the demolition. It’s not clear when the demolition will begin.”

Echo Park Historic Heart

Posted by admin | Echo Park | Saturday 3 January 2009 8:05 am

Echo Park didn’t start out as a man-made lake. Instead, its earliest use by the city was as a reservoir, storing water in a section sometimes known as the city’s “West End.” In those years, the hills and canyons that were poised to become our neighborhood were thought of as the city’s west side. The Los Angeles Canal and Reservoir Co. formed Reservoir No. 4 in 1868. The company obtained the water by digging a ditch that sent water flowing from the Los Angeles River – in the area now known as Los Feliz – along a zigzag path that emptied into the reservoir.
Los Angeles passed up on the chance to purchase the land around the lake. But by the late 1880s, Thomas Kelley – a carriage maker whose name was spelled with and without an “e” in various documents – purchased the property along with five other speculators.

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Echo Park

Posted by admin | Echo Park | Thursday 20 November 2008 2:46 pm

Echo Park is a neighborhood in Los Angeles northwest of downtown. According to the website “Historic Echo Park” the neighborhood has no
official boundaries or borders. Generally, it is east and southeast of Silver Lake, north of Westlake/MacArthur Park, west and northwest of Chinatown and southwest of Elysian Park. Echo Park itself consists of the neighborhoods of Echo Park (the area immediately surrounding the lake and extending approximately a mile north on Echo Park Avenue), Angelino Heights, Colton Hill, Edendale and Elysian Heights. Dodger Stadium lies at the eastern edge of Echo Park.

The origin of the name Echo Park is not totally clear.Legend has it that the name Echo Park came into use in the 1890s after workers building the newly established city park now called “Echo Park” discovered that their voices “echoed” off the bluffs and hillsides to the east and west. A variation of that legend says the name was coined more than 20 years earlier when workers constructing a dam (more…)

Echo Park Improvement Association

Posted by admin | org | Sunday 14 September 2008 1:25 pm

Echo Park Improvement Association is a grass roots group which welcomes everyone who wants this charming, historic neighborhood to live up to its potential as a clean, safe and attractive community we can all use and enjoy. EPIA meets monthly — neighbors, residents, business people, police officers, officials everyone gets together to help make our dreams come true. And they do! Since we got started in 1990 we’ve made great strides. We’ve planted backyard rosebushes and fruit trees as well as hundreds of beautiful street trees; we’ve replaced graffiti with murals and plants; and we’ve incubated an historical society, community garden and artists’ festival. And we’re not done yet! Come join us and make things happen!
Information.

Echo Park Improvement Association
P.O.Box 261021
Echo Park, CA 90026
Message Phone: 323.882.4835

Echo Park Historical Society

Posted by admin | History | Saturday 13 September 2008 11:19 am

The Echo Park Historical
Society
was founded in the Fall of 1995 to promote interest in Echo
Park?s heritage, to preserve and protect natural sites and buildings of historic
significance within our community, to document and collect materials pertaining
to the rich and eclectic history of our neighborhood, and to chronicle the lives
of our past and present residents whose deeds and contributions lend pride and
substance to our lives here today.

Previously, there had been no
mechanism in place to deal with preservation or history-related concerns in Echo
Park. EPHS filled that void, and was instrumental in bringing the Jensen?s
Recreation Center sign to the attention of the Department of Cultural Affairs.
This resulted in the re-lighting of this unique Echo Park landmark on August 20
1997, after five decades of darkness.

EPHS sponsored Echo Park History Day
at Barlow Sanitorium (built in 1902 - Historic Cultural Monument #504). This
open house event featured guest speakers, tours, and an exhibit of vintage
photographs and memorabilia from our archives. ?Old-timers? in attendance were
encouraged to be interviewed as part of our ongoing oral history outreach.

We publish a quarterly newsletter and
hold general meetings three times per year featuring guest speakers on topics
ranging from architectural preservation to historic overviews of our community.

We are a grassroots, non-profit
organization completely staffed by volunteers. Everyone is welcome to
participate in our activities, including non-residents of Echo Park. Our
operating costs are covered solely by membership dues and donations. The general
public is welcome at all of our functions free of charge.

For more information, please contact
us:

Echo Park Historical Society

P.O. Box 261022

Echo Park, CA. 90026

323.860.8874

A Brief History of Echo Park

Posted by admin | History | Friday 12 September 2008 5:48 pm

Echo Park and its lake have always been a touchstone for the community that grew up around it. 

Initially, the area we now know as the park was a natural arroyo that filled with water from a spring-fed stream that originated at Baxter Street and flowed down what is now Echo Park Avenue. In 1868 the Los Angeles Canal and Reservoir Co. dammed the arroyo to make a reservoir that aided in powering a woolen mill at what is now 6th and Figueroa (then known as Pearl St.) and was to eventually serve local residents, walnut orchards and vineyards to the south along Alvarado. The immigrants that worked these orchards and vineyards settled here and began to build small homes along Sunset Boulevard, between Echo Park Avenue and Lemoyne Street.  

In 1875, the woolen mill closed and the reservoir land (then known as the Montana Tract) was sold off. Eventually, Thomas J. Kelley and Dr. W. Lemoyne Wills purchased the land for a business venture. For reasons unknown, the venture wasn?t feasible and in 1888, Mr. Kelley and Dr. Wills donated the land to the city for the expressed purpose of creating a public park for the enjoyment of the people of Los Angeles.  The paperwork was finally completed during the recession of 1889 and in 1891 park development began. The first Superintendent of Parks for the city was an English immigrant named Joseph Tomlinson who was assigned the task of creating the park. Mr. Tomlinson, being somewhat homesick for his favorite park in Derbyshire, England, decided to model the park after his favorite childhood place to play. At the same time, the reservoir was closed and the stream was capped. The park superintendent created a 16-acre lake where the reservoir had been. It cost $5,637.00 to create the lake that is now filled with city water. Once that was accomplished, the planting began on the other 15 acres of park.  

One day, while overseeing the work, Mr. Tomlinson thought he heard his workers talking during a break, but he knew they were across the park from him. The park had an echo! He knew what the name of the park would be! Unfortunately, the plantings he installed destroyed the echo, but the name remained. The park was dedicated and opened to the public in 1895. 

The famous bed of lotuses that grow in the lake at the northwest end of the park, the largest stand of lotuses outside Asia, is a mystery yet to be solved. One legend says that evangelical Chinese missionaries planted them for use as food, but no one knows the real story. They appeared some time in 1923 or 1924. Nonetheless, they remain a beautiful addition to the park and have inspired the city to sponsor the annual Lotus Festival that celebrates Asian and South Pacific Island cultures.

 

 

 

 

 

 

 

 

 

 

 

1902 United States Geographical Survey. Note blue-line that starts at the top-right.
This is the Los Angeles Canal and Reservoir Co’s Zanja (ditch) which conveyed water to the reservoir from the Los Angeles River. The zanja started at the present day ‘Travel Town’ and followed the slopes above the river until it veers south above a small valley (Glendale Blvd. down to Riverside Drive). The Zanjas course then followed the hill above what is now Silverlake Reservoir (note the dashed blue-line, a natural ‘waterway’ that is now the bottom of the reservoir). The zanja then follows the present day Silverwood Terrace then turns South-East south of Berkeley Street then down what became Glendale Blvd. to the reservoir (Echo Park). Also feeding into the reservoir was the small blue-line to the right, the natural spring from Baxter Street.    ~M. Scott Fajack

We may own these homes, but we think they belong to the people of Los Angeles

Posted by admin | Echo Park | Wednesday 17 September 2003 5:04 pm

The New York Times visits Angeleno Heights and finds Murray
Burns peering out his front window:

It was a sunny March morning, and a white rental sedan
was parked in front of Murray Burns’s Victorian home on Carrol Avenue in Los
Angeles. From the car’s front seat, two German women snapped photos of the
ornately ornamented 1887 house, a Los Angeles landmark famous both as a
pristinely restored example of this period architecture and also as the set
for the television show “Charmed.”

Mr. Burns, wearing a pink Nehru shirt and Birkenstocks,
watched the gawkers from his front lawn and sighed. “This is what we live
with, every day,” he said, and, shrugging, shuffled toward the car. The women
watched him approach with trepidation, prepared for a scolding. Instead, Mr.
Burns flapped a hand at them with equal parts impatience and benevolence:
“Would you like to come in?” he asked.

The Germans ooh-ed and aah-ed as they peered around Mr.
Burns’s museum-perfect house, which is just one of 12 restored Victorians that
Mr. Burns and his wife own — mostly as income-producing rental properties —
and constantly end up showing to strangers. “We may own these homes, but we
think they belong to the people of Los Angeles,” Mr. Burns explained, as the
tourists snapped photos on his staircase. “There’s an obligation to let people
like these experience it too.”


A Home to Its Owners, A Museum to Its Fans

Echo Park Arts Festival — Artist Bios

Posted by admin | Arts, Festival | Friday 17 March 2000 5:12 pm
E x h i b i t i o n

Abira Ali was born in
Pittsburgh in 1961 and began reinventing her environment thereafter. She
has painted herself into a corner on more than one occasion.

JC Brown came to Echo
Park after a 20-year residency in Tokyo, Japan. There he became a master
of hentaigana, a thousand-year old form of calligraphy.

Andy Doherty is a
freelance artist and art instructor in Los Angeles, and her figurative
work has been featured in exhibitions in the Los Angeles area.

Aaron Donovan’s
work features odd creatures and characters roaming through a disjointed
urban scene or frozen against backgrounds that erupt with color and
texture.
SEE SPOKEN WORD.

Karen Emmett’s mixed
media works have been featured in exhibitions in Los Angeles and her
native Massachusetts, and are included in a number of public
collections.

Mia Farrell is a Los
Angeles-based writer, painter and performance artist.  Her full-length
plays and solo works have been produced in Southern California and San
Francisco.

Richard Frasier’s work
is steeped in the culture of Southern California.  His work has been
featured in exhibitions in Los Angeles and Mexico.

Alice Hayward
boldly explores the relationship between cognition and passion, using
forms and colors to portray the relationship between creativity and
intelligence.
SEE SPOKEN WORD.

Amy Hoffecker has spent
the majority of her life in Texas and photographed many club-nerds and
bands at sweaty bars for cash.

Marlene Hutchison’s
recent work is in photo documentary and videography.  Her teaching
includes these media as well as English as a Second Language for adults.

Michael Javier’s new
sculptural works are the treasures he found walking home from school. 
He is proud to be the "Fred Sanford" of Echo Park.

John Kilduff’s
paintings of local neighborhood views have been featured in many group
and solo exhibitions.
SEE SELF-GUIDED TOUR.

Nicholette Kominos
explores the benign poetic forms of common place objects - a spoon, a
cup, a simple flower.

Art La Touf enjoys
painting in his Echo Park family home.  La Touf is the most senior
artist represented in the EPAF this year, his first appearance.

Stephen Laufer is a
graphic artist living and working in Echo Park, a far cry from his early
days as staff photographer at Tiger Beat magazine.

Terri Lloyd is a
self-made, self-taught, self-employed graphic designer and art school
drop-out.

Jacqueline McCardle’s
work in paint explores the juxtaposition of color, challenged by time,
nature and man.  In 1997 she began making mobiles.

Ricardo Mendoza’s mural
work is socially responsive art that engages its audience with content
that gives testimony to the work’s investment in a broader community
vision.

Cynde Miller, a woman
of illness, struggles with an oppressive and derogatory world of bags
and holes to express revolution and pleasure through a sublimated voice.

Merrick Morton’s
documentary works include Southern California street gangs, men’s and
women’s prisons, death row, psychiatric hospitals and tent revivals.

Merry-Beth Noble has
received acclaim for her set design and decoration.   Recently, her work
has shifted to the traditional forms of drawing and painting.

Jenifer Palmer-Lacy’s
work is featured in galleries and festivals all over the East Side. 
Look for her books of poetry, also featured at this year’s Echo Park
Arts Festival, penned and

spoken by Lalo Kikiriki.

Nancy Popenoe’s images
show the neighborhood at night under the soft glow of a porch light, a
street lamp or a neon sign.

Reine River’s love of
travel eventually brought her to the wide-open plains of the Great
American West, where she discovered the rich fabric of "life on the
range."

Barbara Romain has been
a teacher and programmer for ‘at-risk’ youth. Recently, Romain expanded
her practice to include performance art.  The artist is legally blind.

Lee Romney has created
mostly hand-built ceramic sculptures.  Recent pieces are mono-prints
which focus on organic themes and ideas.

Della Rossa, a
long-time resident of Echo Park, creates sensitive portrayals of local
residents which have been exhibited nationally and internationally.

Victor Santoyo
has painted in the abstract and surreal as well as neo-impressionism. 
His atelier, Impressions Limited, is highly regarded as one of the
finest and most trusted in serigraph printing.

SEE SELF-GUIDED TOUR.

Maestri Smith, a
self-described Surrealist photographer, has for nearly two decades
explored the spiritual realm of natural and cultural objects.

Dorit Thies uses Black
& White photography in her exploration of feminine icons.  It has taken
her from Los Angeles to the New Mexico wilderness.

Elizabeth Tobias blends
abstract expressionism with experimental photography.  Her works have
been exhibited in group and solo exhibitions nationally, recently at
Fototeka Los Angeles.

Cooper Tomlinson’s
paintings expand line, shape, color and texture to create a subjective,
yet abstract whole - a visual language which is open to the viewer.

Jean Torre is indebted
to the beauty, inspiration and presence of nature she found as a young
person, and still sees today, in Echo Park.

Rene Trujillo has
contributed to nationally prominent murals.  His paintings have been
exhibited at a number of local galleries and every Echo Park Arts
Festival.

Kelly Witmer took up
painting after years of working in photography and photo-based
printmaking.  Her works explore the vulnerability and power in women’s
sexuality.

Victoria Zurkan works
in psychology.  Her paintings reflect her travels and ideas about the
world and are produced at her new home in Echo Park.

Malaika Zweig has
exhibited in Los Angeles for several years.  She has taught painting and
drawing to adults and children in Los Angeles, Pasadena and Paris.